tavington:

IMPORTANT- PLEASE VIEW AND READ DESCRIPTION
Please look at this image. This “stall” belongs to a Dealer who exhibited at London Expo this weekend.
Images look familiar? They should. They’re all STOLEN.
This guy claims to be the “genius” behind these works of art. Truth is, the majority, if not ALL of them, have been swiped from deviantART, printed on canvas and sold WITHOUT PERMISSION.
This guy is a fraud, a plagiarist, a thief and liar. Why is he even allowed to exhibit at London Expo.
We all need to gather proof that this guy isn’t all he claims to be. If you recognise ANY of these images. PLEASE SHARE OR COMMENT BELOW. A lot of these works are by American artists. We need to inform them and put a stop to this.
Please, please share and let a team of us put this right. We need to gather a lot of solid evidence to get this guy thrown out.
He didn’t have any business cards (no surprises there) but he’s exhibited and sold at London Expo many, many times.
I intend to write a deviantART journal about this and spread the word myself. It would help greatly if you could share your photos here too and we can pool all our evidence in one place and compare photos.
Thank you all for reading.

I remember seeing this guy’s stall at EXPO last year and thought that some of those pieces were familiar. Please everyone, reblog this! :)

tavington:

IMPORTANT- PLEASE VIEW AND READ DESCRIPTION

Please look at this image. This “stall” belongs to a Dealer who exhibited at London Expo this weekend.

Images look familiar? They should. They’re all STOLEN.

This guy claims to be the “genius” behind these works of art. Truth is, the majority, if not ALL of them, have been swiped from deviantART, printed on canvas and sold WITHOUT PERMISSION.

This guy is a fraud, a plagiarist, a thief and liar. Why is he even allowed to exhibit at London Expo.

We all need to gather proof that this guy isn’t all he claims to be. If you recognise ANY of these images. PLEASE SHARE OR COMMENT BELOW. A lot of these works are by American artists. We need to inform them and put a stop to this.

Please, please share and let a team of us put this right. We need to gather a lot of solid evidence to get this guy thrown out.

He didn’t have any business cards (no surprises there) but he’s exhibited and sold at London Expo many, many times.

I intend to write a deviantART journal about this and spread the word myself. It would help greatly if you could share your photos here too and we can pool all our evidence in one place and compare photos.

Thank you all for reading.

I remember seeing this guy’s stall at EXPO last year and thought that some of those pieces were familiar. Please everyone, reblog this! :)

I know a lot of people have already asked this question before, or at least try to find an answer to it... but when does a critique stop being a critique and becomes a criticism? Are there any technicalities and test-proven methods to filter what critiques are valid or otherwise? Is there such a thing as being "too honest" / "too verbally colorful" a critique?

This… is like trying to answer that age-old question of ‘what is the meaning of life?’ I don’t think there is a single, straight answer and trying to find out what constitutes a winning process for sifting through is extremely hard. Like art itself, people’s opinions based on what they observe are subjective.

The shorthand of it may well be, based on ‘critique = disciplined & systematic analysis’ and ‘criticism = judgmental / often regarded as negative’, to identify which ‘critique’ aims to be purely constructive in nature (in a not overly-judgmental way, making it instantly cater to the subjective tastes of the individual who wrote it). We’ve all heard the term ‘constructive criticism’ and that’s exactly what it is.

Criticism: “The way you’ve drawn the arm is way off the mark, it looks terrible. If the muscles were bulkier, I’d like it. As it stands it’s pretty crap.”

Critique: “It’s obvious that you’ve put a lot of time and effort into studying anatomy from what I see of your drawing. I can appreciate that it’s a hard subject to learn. To my eyes, it looks like the proportions of the arms are a little uneven, although I realise this may have been intentional (or a subject of style). If you’re interested, I know several good books on anatomy that may be of use to you, as I can see we both share this interest.”

Tactful and polite, not overly-opinionated and above all, adding something constructive, it’s obvious which one of the two examples would be the more valued. If it’s ‘crap’ (by their standards alone perchance? Do others feel the same way?), they shouldn’t just say so, they should explain why. This makes all the difference between a critique that is negative to the brink of criticism and one that points out, in the nicest possible way, what could be improved (and therefore is useful).

In short, through just changing the tone of the language we use to communicate with one another, and being a little considerate, a critique that has some negative pointers suddenly becomes more positive.

On the other hand, of course, it also has as much to do with the artist’s reaction as it does with the said critique. Are they able to take criticism with a pinch of salt? Treat it as a few helpful pointers and move on with a mind to improve for their own satisfaction more than anything else (that old chestnut that if you’re doing art for others instead of for yourself, why are you doing it at all?) Or, do they completely flip their wig and rant about it?

In the design industry (and many other creative industries I’m pretty sure), you come around to the fact that criticism comes part and parcel with the job. If you can’t accept it and act upon it professionally (it may very well add something positive after all), then you’ve chosen the wrong career. It’s always best to acknowledge whatever comes your way and, good or bad, just bear it in mind and move on.

I hope this answers your question (constructively, huzzah!), and thank you for asking such a cracking good one at that. ;)

I shall leave you with this here pug from laugh-addict…

I shall leave you with this here pug from laugh-addict

consulting-assassin-who:

I just had to… :)

Just in case you didn’t get the little reference my colleague arranged on my desk. ;)

I came in to work to find this scene on my desk… it seems there was a disagreement! XD

I came in to work to find this scene on my desk… it seems there was a disagreement! XD

wantstobelieve:

Embrace me, brother, lest Winter overtakes me.

Guess who watched The Avengers yesterday… and LOVED it!!! :D

Loki, especially, was a lot more aggressive in this… and sometimes terrifying! I like it. The progression of his character is pleasing. I also loved the humour and… oh, just go watch it! And to the American folks who are still waiting for the May 4th release, it is worth the wait. So worth the wait! ;)

Reblogging wantstobelieve for all that is artistically gorgeous.

Oh yes! I completely forgot about this sketch… if you can call this scribble a sketch that is. Very quick rendition of poor outcast Jon Snow and his dire wolf Ghost, from the Game of Thrones TV series.

Oh yes! I completely forgot about this sketch… if you can call this scribble a sketch that is. Very quick rendition of poor outcast Jon Snow and his dire wolf Ghost, from the Game of Thrones TV series.

WATSON! …Let’s go.

I’ve been so behind on my Sherlock indulgences…
I can’t call myself a true Sherlock Holmes fan without having watched the BBC series Sherlock (I just haven’t had the time to breathe recently), so thought right, that’s it! I hurtled through those episodes, eating them up like a rather delicious piece of Victoria sponge cake. All was going well until the last episode of Season 2 and then ugh! UGH! I mean UUURGH! My heart! All the emotions! Noooo! Waaaaaah!!! 
Yeah, *sniffs*, so I drew this as I watched… Cumberbatch face. Love. 
Other than that, all I have left to say is ha ha! Moriarty… ha ha, I like you! XD

I’ve been so behind on my Sherlock indulgences…

I can’t call myself a true Sherlock Holmes fan without having watched the BBC series Sherlock (I just haven’t had the time to breathe recently), so thought right, that’s it! I hurtled through those episodes, eating them up like a rather delicious piece of Victoria sponge cake. All was going well until the last episode of Season 2 and then ugh! UGH! I mean UUURGH! My heart! All the emotions! Noooo! Waaaaaah!!!

Yeah, *sniffs*, so I drew this as I watched… Cumberbatch face. Love.

Other than that, all I have left to say is ha ha! Moriarty… ha ha, I like you! XD

solenn-e:

Leonardo Da Vinci’s drawings

Oh, I’m in love with those skeletal studies! ♥